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Construction Star 45 Sail Making colored sails sail material

Selasa, 17 Mei 2016

Apr 2007 Subject: [Star45] Sails - colors
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From: "Larry Ludwig" mailing list Star45@yahoogroups.com

You can have colored sails. You can make your own from ripstop and the colors are all available. The material is inexpensive enough that even if you do botch the first few attempts its not going to set you back more than $10.00

Learning to make sails teachs you more about TRIMMING sails and the way they take a "set" than sailing a boat ever will.

If you set your mainsail luff as a bolt rope (and you should IMHO) then it takes only a few seconds to pop off your mast head or foot, slide out one sail and slide in the other. Then if your jib is setup as a hook attachment to a hole in the mast, you unhook from the deck, unhook from the mast and voila, you are ready to hook both ends of the 2nd sail and you are complete. You should be able to change the sails on your boat in 2 minutes if you are properly set up. Of course, using a 2nd mast and complete rig is even faster. If you setup so your turnbuckles remain on the deck, then they are ready to go regardless of which rig you chose, and you reduce the cost of a 2nd rig by $40 right there.

Dont discount ripstop sails too much. They may not be all the rage... but I promise you the skipper skill factor is WAY more important than the sail material. I have rip stop sails here that have lasted 20 years, if they are well cared for, they will last. Skippers familiar with the Vic class will remember a Regional Regatta being won with a stock ripstop mainsail last year ( I think it was)

Give it a shot, you wont be sorry you did. *and it DOES look very nice on your boat.
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From: "J Fisher" Sender: Star45@yahoogroups.com Subject: Re: [Star45] Sails - colors

I have seen people in the 914 fleet use colored markers to color sails. I think it was mostly to tell the boats apart, but there were some interesting designs. You could probably paint your sails as well to get color.
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From: jfisher@wildblue.net I have made a lot of sail and could put together a step by step to make sails.

I use mylar which I buy from www.McMaster.com. They only carry clear, so I sand it to make it translucent. It colors well with markers so that would be one way to make colored sails. To make sails you can use the sail block based on the method provided on the star 45 yahoo groups by John Whitford or you can use the block from great basin, which is based on the Sweede Johnson sail block. I have used the sweede block with good results.
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From: "Larry Ludwig" Sender: Star45@yahoogroups.com Subject: RE: [Star45] Sails - colors

You can make panelled sails, but it is not required. You can get PLENTY of use out of a single panelled sail. They actually have some advantages in high winds because of the less draught. Also, but putting in the luff curve and using a bolt-rope main, you do have a sail with some draught to it, not just a flat sheet of cloth. The block method works fine, but also.. is not required. Basically you cut the bottom panel seam flat, and draw your airfoil MAC (mean aerodynamic chord) and cut it with a #9 X-acto or scissors. Use seamstress tape and overstitch. Do the same thing with the luff curve, and hem the foot and leech and you are about there. Oversew some corner panels, tack on some batten pockets and thread in a piece of weed-eater line up the hem of the luff and you are ready to put on your class markings and numbers. Grommets in the corners are installed either with a seamstress tool or they could be ordered from Don Ginther at GBMY if he is still shipping, he was in the process of suspending operations.

Where to find the material? Nylon ripstop is inexpensive... typically $6-$7 (x 38-50" long bolt) a yard at LONDONs Fabrics or HANCOCK Fabrics, sometimes you will find it at HOBBY LOBBY retail stores, but if you check your local fabric store you will most likely come up with some in various colors. Also using contrasting thread colors can make the sail more attractive. Start with a single panel sail and go through all the steps. When you are ready to start making paneled sails... dont be afraid to make them out of paper first. Typical brown paper can be cut and taped together and makes a perfect mock up of the sail for pennies.
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From: "Al Stein" Sender: Star45@yahoogroups.com Subject: [Star45] Re: Sails - colors

I think I got mine from Potomac Sailmakers in Alexandria, Virginia... I bought yellow and orange, but they had a bunch of different colors in spinnaker cloth, and very light weight and airtight it is.

Its fairly stiff, too, for as light as it is -- something well under an ounce per yard. Price about the same as Larry experienced... less than $10 a running yard from a BIG WIDE bolt (cant remenber exact width, but it was much wider than normal fabric store goods.
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From: "John & Kelly" Sender: Star45@yahoogroups.com Subject: RE: [Star45] Sails - colors

I have built US One Meter sails from spinnaker cloth purchased from Sailrite.

I used .5 oz which is only available in red, white, and blue, but .75 oz is available in a multitude of colors.

The part I like best about these materials is you can buy a role of C3 spinnaker tape (pricey at $25.00) and build a set of sails without sewing a stitch.

They actually use C3 to tape together the body seams of full scale spinnakers so Im pretty sure it can take just about anything a model can throw at it.

Ive built two sets of sails and only used about 10% of my role of tape so that $25.00 will go a long way.

At about $12.00 a yard, spinnaker cloth is twice the cost of fabric store ripstop, but spinnaker cloth is coated with resin that makes it far more stable and eliminates all porosity (wind can blow right through ripstop). I also havent tried using C3 on plain ripstop, so I cant say how the bond will hold up.

For cutting fabric like this Id use a hot knife. I bought a $4.00 40watt soldering iron at the local mega-mart, removed the tip, hammered it flat, and put it back in. Cutting works best over a smooth heat resistant surface. I use my glass topped kitchen table (when my wifes not home).
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Daves musings about setting up and adjusting sails on R C model Boat

Sabtu, 02 April 2016

Dry sailing -set up.

Place the model in a stand. Head the model into them wind.

Things that can be moved, and adjusted: Mast step. Mast rake. Boom vangs. Shrouds. stays. Jumper stays. Head stay/jib stay. Sail shape - loose foot. out-hauls.

Attach the sails to the mast.

Set the sail winches in fully trimmed position while allowing sheets to be slack.

Stand the mast with standing rigging attached in the center step position.

Hook the jib swivel into the middle slot of the jib rack. {The jib boom needs to clear the mast.}

Connect the side stays to the chain plates and adjust so the mast is straight and vertical.

Connect the back stay to the back stay fitting.
The jib stay and back stay will need adjusting to set the mast in vertical position.

Move the out-haul of the sails along the boom to give the sails to have some "belly". Pulling the sails out along the boom flattens their shape. The belly (or shape) of the sails will be determined later and the sail shape will be determined by how windy it is.

Where you attach the sheets to the booms will take into account the type and adjustments available for the sail control. The booms should be full out (90 degrees to the center line of the hull) when the SCU is full out and then the booms should be just about over the center line when fully trimmed in. ( I see 10 degrees as suggested angle to center line). The length of jib sheet trimmed and the length of main sheet trimmed is a factor in setting up the sail control so the sails are coordinated properly when sailing. The SCU handles a much longer main sheet than the jib sheet. The use of jib traveler and mainsheet traveler can help position the sails when fully trimmed in. Unless two servos (SCUs) are used a single SCU has the task of coordinating the positioning of the jib and main.

Turn on the R/C and run the SCU.
Test out SCU setting with the sails full out and fully trimmed.

With the mast set up and sails adjusted roughly in position it time to launch and sail.
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Setting Sail on the water.

Before launching TURN on the radio on the boat. I have seen many models set loose to sail with the on board receiver and sail controls not tuned on and very unhappy skippers watching as their model sails away towards the horizon.

The initial rigging and sail settings are based in getting the model to sail a strait line while close hauled (sails trimmed in) and sailing up-wind.

Properly trimmed the rig will allow the model to sail it self in a straight line with just a minor tendency to "round-up" (i.e. sail itself dead into the wind). If or example you find you are constantly pulling the tiller (i.e. rudder) hard over to pull the model back on course to keep from heading in to the wind your model has weather helm which means your mast and jib must be re-positioned. When tacking if your model stalls into the wind and wont tack? Try different rig setting.

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Setting Sails
The art of tuning the rig on a sail boat is detailed in books written for racing yachts and boats.

"DINGHY SAILS"
by Jeremy. Howard-Williams

"The Best of Sail Trim:
A Selection of Articles from Sail Magazine"

"Sail Trim: Theory And Practice"
by Peter Hahne

My observations and commentary on tuning are from an amateur and are at best suggestions not professional advice.

Observation Number One!!
Model sails that are single panel loose footed sails rely on the shape of the sail established by the gap between the boom and the foot of the sail. Model sails with "shape" sewn into the sail fabric still are loose footed. Also the lift of the boom also factors in determining the shape and performance of the sails.

Hauling a sail into the center line and at the same time pulling down on the sail can flatten the fabric and kill the sail shape. I like to use travelers to position the sail to the desired point near the center line. Then you can set the point of maximum driving force and not wreck the sail shape.

On a big boat the skipper can changer the suit of sails to match the cut of the sail with the wind conditions. In the case of a model a skipper can change where the out-haul is along the boom, light air adding belly to increase the drive, heavy air pulling the sail out further changing the sails airfoil.

The jib and mainsail work as a system. A skipper has all manner of combinations that may be set relating the two sails. If the models did not have jib clubs they could overlap the mainsail. So model sailors have to adjust the "slot" between the jib and the main to get the maximum driving combined air foil.

In heavy air you may want to close the slot and ease the main so that the jib slightly back-winds the main to help the model sail flatter (less heeling).

Dont forget on a model it is easy to rake the mast fore and aft to trim the sailing characteristics to match wind conditions.
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A digital camera can be a terrific diagnostic tool for seeing what is happening on your model. You can look at pictures and spot misadjustments. Bends in mast, wrinkles in sails etc. Does you models mast rake forward down wind? Is the back stay bending the top of the mast. How are the jumper/jenny stays adjusted do they balance the tensions between the jib and the back stay?
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The late Manny Costa of RI always stressed, change one thing at a time to see what changes. He also stressed sailing a pair of models. One model being tuned and sailing against the second to see if the single adjustment improved performance.

Round-Robin racing in pairs is an excellent way to evaluate how your model performs.
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