New Francois Vivier designed Yawl with Clint Chase

Francois Vivier and Clint Chase are busy designing a new dayboat/weekender. This has been a fun collaboration and we have a lot more work to do. By this time next year, it is planned that we will be building this boat in our shop for our family use and for showing in 2012. Francoiss boats are designed with a CAD-CAM approach, meaning the drawings are done in the computer, files are generated, and these files can be used to do CNC cutting of all the drawn boat parts, such as bulkheads, molds, and planking. Some of the design requirements were:

· To be trailerable by an ordinary car, and therefore light, and be able to beach temporarily for loading/unloading.

· To have a large, wide and deep cockpit, comfortable, allowing for fishing and a place where children could be safe.

· To have a stable hull for family sailing but give excellent performance for weekend sails “with the guys”.

· To have a cuddy cabin, with a toilet for women and children, a small galley to heat some meals and two berths to spend a night or two on board, or for napping.

What I am most excited about is getting my kids out sailing again.

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The Jouet Cap Horn designed by Jean Jacques Herbulot

When stories are told about the early days of short and single-handed long distance ocean racing, the names of Chichester, Hasler and the French hero Eric Tabarly are the most easily remembered. Its often forgotten that only one Frenchman took part in the first Observer Singlehanded Transatlantic race - and it wasnt Tabarly.

The lone Frenchman, Jean Lacombe, sailing the smallest boat in the race, the tiny plywood “Cap-Horn,” was, in fact, probably already the most experienced single hander among the 5 men who took part in the first OSTAR. Although up against more famous adventurers like Francis Chichester and Blondie Hasler, by the time the race started Lacombe had already sailed the Atlantic single-handed from East to West and back again, as well as cruising a great deal of the Eastern seaboard of the USA. He had done all this in his simple 21 ft centreboarder, Cap-Horn, designed by J-J. Herbulot as a low cost weekend cruiser.

(photo: Jean Lacombes Cap-Horn after the 1960 OSTAR - still with race number - Jouet Cap Horn brochure)

Lacombe had actually been in New York with his boat when he heard of the race. He entered late and set sail for for the start line 3000 miles away at Plymouth to arrive 4 days after the others had departed. His participation went, therefore, almost unnoticed by the British and foreign press who had been in Plymouth covering the race preparations but had already left the scene.

Staying only long enough to fill his water tanks and buy a few provisions for the return voyage, Lacombe calmly set sail into the prevailing wind for another 3000 mile Atlantic crossing.

Lacombes “Cap-Horn” was a compact weekend family cruiser of 21ft overall, built by Jouet, a well established boat building firm in Sartrouville, on the River Seine. It was a design that, though simple, was rather more sophisticated than the type of basic small cruising boat that was becoming popular in France in the 1950s, when the influential Glenans Sailing School began to turn out a few dozen enthusiastic young sailors every summer.

The yachts designer, Jean Jacques Herbulot, had designed most of the Glenans school boats, so this new breed of French sailor was already programmed by training and experience to appreciate the simple rather “boxy” plywood hulls he had produced previously. The Cap-Horn, however, was not hard-chine ply-over-frame construction like most of his earlier boats. It had a nicely rounded cold moulded hull, though it retained the typically Herbulot wide, clear decks and minimal raised coachroof. The Cap-Horn is now quite a rare boat, and its difficult to find much information about it, but, at the time it must have seemed a more sophisticated design than most others in its class.

The plywood Herbulot designs of the day, simple, compact, practical and inexpensive, were emblematic of French sailing in the 50s and early 60s. Just a year after the first OSTAR, however, Frances first all-GRP production cruising boat emerged from the Jouet factory, and Cap-Horns strong and lightweight cold moulded construction suddenly seemed old fashioned and labour intensive compared with the new high-tech material. (colour photo: the varnished hull of this 1964 Cap-Horn, recently for sale in France, has been well maintained and preserved.)

Jean Lacombe did complete that first OSTAR, finishing in last position after 74 days. He went on to take part again in the 1964 race (Tabarlys first win) in another Jouet-built boat, the Golif, a landmark (seamark?) design in French yachting history which Ill write about in another post soon

Cap-Horn built by P. Jouet & Cie, designed J. J. Herbulot

LOA 6.50m - (20.90 ft)

LWL 6.00m - (19.67 ft)

Beam 2.16m - (7.08 ft)

Draft (max) 1.20m - (3.94 ft)

Draft (min) 0.70m - (2.30 ft)

Displacement 907kg - (2000 lbs)

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A the spectacular mega yacht designed by Philippe Starck

The French designer, Philippe Starck is best known for his furniture and kitchen gadget designs, including his iconic lemon juicer. He is not, as far as I know, a naval architect, yet the most exciting and, to my mind, most beautiful of the worlds billionaire mega-yachts has its origin on Starcks drawing board.

Starck, whose work ranges from designing boutique hotels, the Virgin Galactic “spaceport” as well as that stylish juicer, claims to have come up with the idea for “A”, as the yacht is called, in 3½ hours. Naval architects, including Britain’s Martin Francis, and Blohm and Voss, the German shipbuilders, then took over and adapted the design project.

Starck always insists that form must follow function – in other words the purpose for which an object is designed should dictate its shape. This 5,900 ton, 390 ft. yachts shape is reminiscent of a battleship crossed with a submarine. Evidently Starck appreciated that a yacht is, in essence, a big boys toy, and that for this big boy, Russian billionaire owner Andrey Melnichenko, 36, only the biggest, “baddest” looking toy battleship on the boating pond would do.

Apart from sheer stylish looks, the clean lines of the exterior answer another function – that of security. The lack of any external features such as rails, handholds, or openings makes it very difficult for pirates or other undesired visitors to board the ship. For the same reason, the helicopter pad on the bow is easily rendered unusable by extending a telescopic mast through the deck. Clamshell doors hide all the access points, including the garage for the 2 launches, extending harbour gangways and even the anchor cable fairleads.

The yachts twin engines deliver 24,000 hp for a 24 knot cruising speed and a 6,500 mile range. Accommodation includes a palatial (quite literally) owners suite, 6 luxurious double guest cabins, and quarters for 37 crew plus 5 of the owners personal staff, secretaries, assistants, etc.

The yacht is variously said to have cost $200 to $300 million. Crew salaries, maintenance and running costs are unlikely to be less than another 5 to 10 million a year. So, its not enough to be very rich indeed - Wayne Rooney rich, for instance - to own this yacht. You need to be able to spend twice Waynes annual salary, every year, just to run it. Fortunately for Mr. Melnichenko, whose wealth is conservatively estimated at $2-3 billion, he can.

Obviously the interior décor is super palatial. I wont even try to describe it. You can find more details in the Wall Street Journal video and on the sites to which I have linked below. But the accessory I really like, and which makes me warm greatly to the scarily rich Mr. Melnichenko, is the uncompromising design of the yachts twin 30 ft. motor-launch tenders. He could easily have bought a couple of off-the-shelf plastic speedboats, and in spite of the fact that each one of these beauties probably cost as much as a very nice house in Torremolinos, he clearly would have nothing that was not rare and spectacular for his yacht. This, for Mr Melnichenko was probably no more of an extravagance than my purchase of a pair of shiny bronze rowlocks, instead of perfectly serviceable plain galvanised, for my 10 ft rowing dinghy.

As another great designer once said, “God is in the detail”.

Links:

Italian saint-andres blog story

Sunday Times Article

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Hope a Phil Bolger designed Lobsterboat

In 2004 I built two versions of Phil Bolgers Hope, a 16 0" x 6 4" working lobsterboat.

A scan of Hope taken from Phil Bolgers book, "Small Boats"
Copyright 1973 International Marine Publishing Company ISBN 0-87742-036-X

Both boats were built to order for customers here in Australia, but as is so often the case with custom-built boats, the customers wanted changes from the published plans. When purchasing the plans from Phil, I asked him about the proposed changes, and he was generous enough to trust my judgement with both the layout and the construction plan for my glued-lapstrake hull proposal.

One frequently hears of designers becoming irrate about changes being made to their plans without consultation and/or permission. A good designer will have thought over every element which goes into a design, and you had better be sure you know what you are up to before changing anything - even the smallest detail. Remember, when you purchase a plan, you are generally only purchasing permission to build a single boat to the design -  the design remains the property of the designer. If you want to change something to make it your perfect boat, consider building a different design which doesnt need to be altered, or as I did, consult with the designer to see if he/she is prepared to allow the changes to be made.
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The first Hope under construction in my Brisbane workshop. This one was powered by a Yanmar 1GM10 9.2hp inboard diesel, and was fitted with a small cuddy-cabin.

Over the years I found Phil Bolger to be an exceptionally generous person. Although I never met him he was my most important teacher (and continues to be to this day even though he has been dead for sometime). Knowing that he must have been overwhelmed with correspondence, I only wrote to Phil if I needed to purchase plans, or if I needed permission to alter a design in some way. However, busy though he was, Phil always answered me promptly with (mostly) hand-written letters of substantial length. Sometime after the two boats were built, Phil wrote this article in Messing About in Boats.

The inboard Hope back at the boat ramp the evening following the first launching. The customer had gone home, and I was ready to relax with a drink after what had been a very long day of preparation.

That is me in 2004 - tired but happy after the Hope launching

The second Hope was built almost concurrently with the first, but was set up to carry a 15hp four-stroke outboard. This boat was much quieter and smoother than the diesel-powered version, and was fitted with a light-weight timber sun awning at the request of the owner (after the boat was finished). Ive written about both of these boats in a previous post and in another here.

After eight years of using their Hope, the owners of the outboard-powered version are making some life-changes, and as part of that process they have put their boat on the market. Anybody who is seriously interested in this boat can email me via the address here , and I will put you in contact with the owners (Ill be away 2 November- 6 November, but the emails will be answered).

Here are some photos taken just the other day. The timber canopy is easily removable, and the cockpit is self-draining.

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