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Sacré Cinquo! – is the 505 really French

Kamis, 21 April 2016

Amazingly the 505 dinghy, still one of the most exciting performance boats in the world, is close to celebrating its 60th birthday. Is it French or British in its origins? Its a long story – but one thats worth telling in the full version.

Certainly the 505 was designed by British naval architect, John Westell, and equally certainly most of the early hulls were built by Fairey Marine at Hamble Point, but the 505 was not, in fact, the boat that John Westell originally set out to design, and it would never have seen the light of day had it not been for a group of enthusiastic French dinghy sailors.

In 1952 the IYRU announced a competition to select a two man dinghy class to be given International, and Olympic, status. The sailing trials held on a lake at Loodsdrecht in Holland were won by the Flying Dutchman, but the national sailing associations of Britain and France were not happy with the choice, arguing that the FD was too heavy and powerful a boat for crews of average size and weight, especially in the open waters around the French and UK coasts.

The objections were heard, and new trials were organised at La Baule, in France, in 1953. Among the new prototypes competing was an attractive 18 footer with a cold moulded hull. This was John Westells Coronet design, and it was the talk of the event, not just because of its revolutionary lines and good looks, but also because of its sparkling performance.

John Westells Coronet No. 1
The Coronet was an 18 foot boat with almost 200 sq. ft of sail area. It caught the eye of many of the worlds top dinghy sailors at La Baule, partly because of its beautiful cold moulded hull, relatively narrow waterline beam, and built-in buoyancy side tanks, but mostly because of its wide flaring topsides, which gave it a futuristic speedboat-like look, quite unlike any of the other boats present.

It was said afterwards that the trials were weighted in favour of the 20 ft Flying Dutchman. Only the FD had two boats present, while all the other classes were represented by a single example. This meant that the FDs could split at the start, to sail different sides of the course, while the rest of the fleet had to guess which side would pay best. It was quickly apparent that the Dutchman had only one rival. The FDs are said to have had a slight boatspeed advantage on the beat, but the Coronet, with its lighter weight, smaller genoa, and lower wetted surface was quicker to tack and accelerate, so windward honours were divided. The Coronet planed more easily and was faster downwind, however. The two Dutchman crews had the advantage of being able to team race against the rest of the fleet, and, in particular, their only real rival, the Coronet. Whether this was fair or not, the 2 FDs finished the trials with a combined total of more wins and places than any other class, but the Coronet was, by a comfortable margin, the leading individual boat, and, in fact, dominated the series convincingly.  

The Flying Dutchman once again got the nod from the IYRU committee. Westell was informed the Coronet could apply for International status once 100 examples had been built, but no further Coronets were ever built and the sole example was sold to an East African sailor.

This could have been the end of the story, but for the enthusiasm of some of Frances top dinghy sailors who recognised a good thing when they saw it.

This is said to be 505 No. 1 (probably K1).  Notice the flat topped side tanks and transom mainsheet
Soon after the trials, a group of French helmsmen from the French Caneton (Duckling) class which had been represented but seriously outclassed on the water, got together to discuss the outcome and found themselves unamimously in admiration of the looks and performance of the Coronet. The Caneton was a hotly contested development class in France, with some of the countrys best helmsmen, and relatively free rules on construction techniques and hull form. There was a general consensus that a shorter version of the Coronet could make an excellent, more restricted, one-design version of the Caneton class, so the President of the Caneton Association, Alain Cettier, approached John Westell to ask if the Coronet design could be made to fit the Caneton rule. Westell quickly produced plans for a modified Coronet, to fit the 5 metre +1% maximum overall Caneton gauge.  

The plans were accepted by a Caneton technical committee meeting at the end of 1953, and the Caneton 505 became an official French National class before a single boat had been built!

Within weeks the first 505 was under construction in a workshop at the back of a photographers studio in Paris.  The builders, Messieurs Bigoin and Labourdette, both Caneton sailors, managed to scrounge the wood and tools, but the hull turned out to be slightly too wide to go through the workshop door, so the doorframe and some masonry had to be removed before the 505 could emerge! Caneton 505 Number 1 was launched on the Seine at Meulan at Easter in 1954, and tested by several of Frances top sailors. At the end of the holiday weekend Cettier found himself with orders for 10 boats!

The original Coronet had been built by John Chamiers Tormentor yard at Warsash on the Hamble river, but Cettier found that Fairey Marine, across the river at Hamble Point, could produce the hulls cheaper and more quickly, using their hot moulding process in which the hulls were “baked” in a large autoclave oven to cure their advanced aeronautical glues.

These first bare hulls were nested together and delivered to France where they were finished by the Sampson yard at Sartrouville and by Mallard at Les Mureaux, both on the River Seine.  

Meanwhile, Fairey were turning out their own finished version of the “Five-O” for sale in Britain, as well as other bare hulls to be finished by customers or by other yards, in particular Tormentor just a few yards away across the Hamble River. By August there were enough 505s sailing to hold a Franco-British challenge regatta at Ouistreham in Normandy.

505 No 8 (France) Note the rolled tanks and cutout transom
The early French boats did not feature the characteristic rolled side tanks that we associate with the 505, but certainly some of the very earliest boats finished by Fairey had them, and in time they became a trademark feature of the class. These, and the characteristic flared topsides make the Five-O a relatively comfortable boat to sail, as there is no sharp edge to dig into the crews legs, and spray, or at least some of it, is deflected away from the boat and the crew.

The first boats had wooden masts, but the class rules allowed for all kinds of development in the areas of construction materials, interior layout, running rigging, shaping of foils, etc., and the top boats in the class on both sides of the channel were soon sporting Proctor alloy spars, open transoms, centre sheeting, and other innovations. The astonishing performance of the 505 soon brought it to the attention of sailors all over Europe and the World, so the class spread quickly as new racers took up the class, and new builders took on construction.

Notice the class burgee?  It carries both the Coronet and Caneton insignia
By 1955 with over 100 boats sailing, the 505 bcame an International class in its own right. The first fibreglass hulls started to appear in the latter part of the 1950s, initially composite boats with wooden decks, transoms and side tanks, later, builders like Lanaverre in France and Parker in Britain would produce hundreds of all-plastic boats.

Since the class rules allow all kinds of materials, provided essential hull dimension and minimum weight limits are adhered to, the 505 has always been in the forefront of construction technology. Nowadays hulls and spars are of carbon fibre, and stiff hydrodynamically profiled foils promote planing even to windward, but even with all their scarily modern equipment, the modern 505 is still recognisably the same boat as the one that Parisian photographers door had to be knocked down for in 1954.

Some bullet points:
  • Both the Coronet and 505 were designed from the start for a two man crew with a trapeze.
  • John Westell sailed the Coronet in the IYRU La Baule trials and one of the 505s in the first 505 class regatta at Ouistreham.
  • The International 505 Association burgee still carries the Coronet and Caneton insignia in recognition of the origins of the class
  • More than 9000 boats to the 505 design have now been registered
  • The magazine "Cahiers du Yachting" donated the wood for the first boat
  • Daniel Mazo was the photographer whose doorway in the Boulevard Saint-Martin had to be “modified”
  • The 505 is known in France as the “Cinquo”
  • The first 505 originally carried the Caneton sail insignia with the class number 1701
  • The topsides flare from 1.24m beam at the waterline to 1.88 at the gunwhale, increasing vastly the power of the trapeze while keeping wetted surface area low at non-planing speeds.
  • Fairey Marine built more than 200 hot-moulded wooden 505 hulls.
  • The 505, with all its spars, rigging and racing equipment, can be towed by a Citroen 2CV!

International 505 Racing Dinghy, "Le Roi du Dériveur "

Designer:  John Westell
Length:   5.05 meters  
Beam:    1.88 meters  
Weight:  127.4 kilos  

Sail Area:
Main  12,30 sq. m.  
Jib  4,94 sq. m  
Spinnaker  27 sq. m. (originally 20 sq.m) 

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Sylphe – by André Mauric Sunk before Launching!

Rabu, 16 Maret 2016

André Mauric was the most prolific and best known of Frances 20th century yacht designers. His career started in the 1920s with radical designs for racing yachts to the International Metre Rule in the days when the bermudan rig was still considered new-fangled and fragile, and carried on well into the 1980s when, among other winners he designed the the highly successful Atlantic crossing record breaker Kriter VIII. In between he designed dozens of great boats, including Pen Duick VI for Eric Tabarly, the 1972 Half Ton Cup winner Impensable, the popular and successful First 30, and Sylphe, a classic yacht hidden for 5 years underwater.

(photos: Sylphe racing at St Tropez: www.sail-in-style.com)

Sylphe (originally Ariel) was commissioned by Paul Blanchet, an owner who wanted a yacht to win races under the British RORC rating rule. His timing was not good – it was 1939 when Mauric started designing the boat, and she was still unfinished on the slipway at Chantier Pharo, her builders in Marseille, when the Germans invaded France. In the days of uncertainty and chaos after Frances surrender, believing that the Germans would steal the yachts ballast keel – a 13 ton lead casting (imagine the price of that today!) - Mauric ordered the yard to sink the unfinished hull in a deep part of the harbour.

So it was that Sylphe spent 5 years in hiding under water before she was even launched. Many of the Marseilles shipyard and dock workers knew the secret, but no-one breathed a word, and Sylphe remained safely concealed with all her ballast until the war was over.

After the war Sylphe was recovered and completed. Her long submersion had done no harm – indeed it may have further improved the seasoning of her timbers and made them less liable to distort, crack, or split in later age. She was finally launched in 1947, and though Mauric had designed her with one of his trademark tall bermudan cutter rigs supported on a slender mast, her sailplan was modified in 1953 to give her a larger and taller foretriangle, its foot extended by a short bowsprit. These modifications were no doubt intended to keep her competitive with the latest offshore racing boats which, encouraged by the allowances in the old RORC rating rule, had begun to sport big overlapping genoas and high aspect mainsails.

During the next 50 years or so Sylphe was sailed and raced in the Mediterranean. It seems she was well maintained, with Mauric himself advising on a number of alterations and small repairs. Her original mast was replaced with a new hollow wood mast in the 1980s, and an engine was fitted at some time (she had been designed and launched without one). The teak deck was also renewed during this period. So when she came up for sale in the south of France in 1999 her new owners found her to be in reasonably good structural order, but scruffy, dated, and in need of a lot of attention.

Her new Dutch owners sailed her to Turkey and set about a 7-month total overhaul to make her more suitable for Mediterranean charter use. Although the interior had mostly to be stripped out and rebuilt to provide more comfortable charter accommodation, the original hull timbers and planking, having endured such a long submersion so many years ago, were found to be in excellent order. Only a couple of rot-infected frames had to be replaced. Her owners are proud to claim that Sylphe still has none of the steel bracing and reinforcement that many other yachts of her day now need to keep them in sailing order. They are equally proud that she retains her original mast winches and her unique, custom made, cockpit sheet winches.

Now equipped with all the modern trappings of a top-quality charter yacht, including satnav, full B&G sailing instrumentation, water-maker, autopilot, etc., Sylphe is currently believed to be available for charter in the Mediterranean. She is also occasionally to be seen taking part in classic yacht regattas at St Tropez, Cannes, and at other glamorous yacht harbours.

Sylphe - a classic Andre Mauric design:

LOA: 18.50m
LOD: 17.25m
LWL: 12.68m
Beam: 3.95m
Draft: 2.50m
Air draft: about 23m, masthead 21m above deck
Sail area: Main 84 m2, Yankee 29 m2, Genoa 78 m2, Spinnaker 205 m2, Reacher 105 m2

Link to Sylphe Charter site


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